Nobody Can Live the Same Day Again and Nobody Can Die Twice
Bob Odenkirk takes an unexpected turn in Ilya Naishuller'southward "Nobody," a clever action flick that repositions the star of "Better Call Saul" as someone closer to Liam Neeson'southward action heroes. While imagining one of the brilliant minds behind "Mr. Show" every bit an activity hero may seem like a stretch, it turns out to be a stroke of genius as Odenkirk grounds his trigger-happy protagonist with a very special set of skills in a way that other actors would have missed. He's groovy every bit a man who has tried to leave a fierce past behind, but movies have taught u.s. for generations that that's easier said than done.
"Nobody" opens with a montage of the mundanity of Hutch Mansell's daily existence. Every twenty-four hour period, he scans the same transit card; every week, he misses the trash man by mere seconds. Life is a series of routines, which has eaten away at his marriage to Becca (Connie Nielsen) while providing a relatively happy dwelling for his kids, Blake (Gage Munroe) and Abby (Paisley Cadorath). Hutch works at a manufacturing company owned by his male parent-in-law Eddie (Michael Ironside) and dominated by his alpha blood brother-in-police force Charlie (Billy MacLellan). Luckily, author Derek Kolstad doesn't waste likewise much fourth dimension on Hutch's normie suburban existence, thrusting viewers into the action of "Nobody" most immediately.
It starts with a habitation invasion, in which two bottom-level criminals rob the Mansells of some spending money and a few trinkets. Hutch has the drop on one of them, golf society raised in the air, only he doesn't take the chance at elevating the violence, much to the thwarting of his son and disdain of his dude-bro male person neighbor. When information technology looks similar the invaders may take taken poor Abby'south kitty-kat bracelet, Hutch snaps, tracking them down to think it.
However, "Nobody" is not actually a "Death Wish"-esque story of an average guy turned vigilante. At that place are hints very early on on that Hutch isn't only a normal suburbanite. Even his human being cave seems laid out to hint at a unlike background than your neighbor, including a radio through which he speaks to his blood brother Harry (RZA), who is in hiding. Why? And what's upward with the box of fake IDs and money that Hutch's male parent David (Christopher Lloyd) has been storing away? When the bracelet retrieval job goes a little sideways, Hutch is on a bus heading abode when he encounters a group of obnoxious drunks harassing a woman who'due south on her own. He takes it upon himself to protect her and substantially starts a tearing state of war with a Russian law-breaking lord named Yulian (Aleksey Serebryakov).
The bus scene that initiates the real action of "Nobody" is the kind of action choreography work of art that will have devoted audiences applauding at screenings for years to come. It's a clever piece of filmmaking that starts with Hutch throwing himself into a few awkward exchanges with his new enemies and continues to elevate, almost equally if this encounter is awakening his skill set one punch at a time. Choreographed by the team backside "John Wick," it'due south the type of activeness scene that people volition be mentioning with a smile for a long time, and a reminder of the adrenalin that a motion-picture show tin become from a creatively crafted action scene.
Other than a scene that sets up Yulian every bit a psychopathic villain that runs a bit also long, Naishuller is smart enough to use the momentum from the bus scene to button through the balance of the story. "Nobody" is an incredibly quick flick, an experience that feels nowhere about equally long as its 92-infinitesimal runtime. 1 could fence that the movie could have used a bit more than prologue that would make Becca and their children into characters instead of functions for the plot, but there's a tightness to "Nobody" that's often defective in modern films, one that's reminiscent of the economy of the "John Wick" flicks, which is one of that trilogy'due south greatest strengths.
So in that location's Odenkirk. Watching "Nobody" a second time made it easier to capeesh how much he brings to a role that someone could have easily sleepwalked through for a paycheck (this would be a much lesser movie with the current king of the Paycheck Functioning, Bruce Willis, for example). Odenkirk deftly sells both halves of Hutch, making both his electric current family life and his tearing past believable. It'south a smart performance, which should come as no surprise to fans of his work on "Breaking Bad" and "Saul," but it'southward also a wonderfully physical one in that he makes the stunt work and fight choreography genuine. The supporting bandage is potent—particularly RZA and Lloyd, both of whom know exactly what to bring to this project—but it's Odenkirk's film through and through, and he nails it.
Unsurprisingly from the manager of the insanity that is "Hardcore Henry," Naishuller has a habit of overplaying his stylistic hand every at present and and so with slo-mo montages set up to unusual music choices. And there's a version of the motion-picture show that feels like it has higher stakes—no one ever really feels in jeopardy here (at least "John Wick" had the dog). Merely Naishuller ultimately gets what matters here correct, giving a talented histrion an unexpected vehicle to drive actually fast with just enough bloodshed for action fans, and not too much gore for average audiences. It'southward the rare modern activity film that makes me hope information technology does well plenty to produce a sequel. (I besides retrieve in that location'southward potential for a crossover "John Wick vs. Nobody" project that would make roughly a gajillion dollars worldwide.)
"Nobody" works considering it values scene structure and action choreography above all else, leaving behind pretension and the overplotting that'southward been mutual in the genre in recent years. It doesn't interruption whatever molds so much as present a really skilful fourth dimension within a familiar structure. After a year with too few action movies considering of the shelving of the blockbuster, "Nobody" gives viewers an adrenalin blitz that almost feels new once again.
Only in theaters tomorrow, March 26th.
Brian Tallerico
Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is as well a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Film Critics Association.
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Nobody (2021)
92 minutes
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Source: https://www.rogerebert.com/reviews/nobody-movie-review-2021
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